Seven Plots
Moreover, Booker suggests that five of the seven can all be considered comedy because they all have happy endings. That leaves tragedy standing alone, like The Cheese in the childhood ditty The Farmer in the Dell. Poor cheese, in the center of the circle with all the others pointing, laughing, waving about their pleasent endings. Hmm. Where was I? Oh, yes: this makes perfect sense from the consummate reductionistic psychologist's viewpoint, because all life is motivated toward pleasure (which can be as simple as the avoidance of tragic pain). Only stimulous and response exist. Pain generates an avoidance. Pleasure attracts. So, it must be quite simple to write a story or a novel. The devil of it is in the details, those infinite variations necessary to make stories unique.[fiction]
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2 Comments:
This has been debated for a long time. Over on AOL's writers boards a number of years ago, we had 3-10 basic plots. The ones I like are:
Boy meets girl/romance
The Quest
Coming of Age
Whodunit?/mystery
Man (well, woman, too) vs nature
You can toss in the Man/Woman vs creature to cover SF/Fantasy/Horror plot lines.
And there's 1 or 2 others I can't think of offhand.
But comedy and tragedy aren't plots by themselves. They're genres. A whodunit can be either a comedy or a tragedy, depending on how it's written.
Georganna,
Your writing interests may cross with my philosophic interests in this speculative screenplay by David Buchanan - the plot within all plots.
http://robertpirsig.org/President.htm
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